In the Valley of Coming Forth

A play by Dr. Herukhuti

November 24 - 25, 2023
Weeksville Heritage Center 

Thank you to all who joined us in November 2023 for this alternative Thanksgiving event at Weeksville Heritage Center in Brooklyn, the site of the largest free-Black community in the pre-Civil War age, as we considered what it means to be free and the costs associated with our freedom dreams when we pursue them.

We encourage you to support the work of CCCADI in using arts and culture to advance the racial and social justice of African descendant communities globally. Make a financial investment in AfroFutures today.

On Friday, November 24, 2023 Attendees Experienced the Play Performance + Live Production House Band:

Folachade Abiala (Hand Drums), Brother Wyatt (Kit Drum), Josh Boucicaut (Sax), Carlisio Keys (Keyboard), Dead Wildin (Guitar), VFerg (Bass), and DJ Sabine Blaizin (1s and 2s)

On Saturday, November 25, 2023 Attendees Experienced an Artist Talkback + Live DJ Set by Brandon D'Lux:

After experiencing "In the Valley of Coming Forth," a panel discussion explored the themes of the play, the impact of European settler-colonialism and imperialism on people of African descent, and our relationship to land and heritage with a panel of cultural workers, community organizers, and artists.

Acknowledgments

Thank you to the following contributors without whom this presentation of In the Valley of Coming Forth would not be possible:

Sponsors:

New York State Council on the Arts, The Theater Offensive, Double Edge Theatre, and Applied Theatre Racial Justice Conference at CUNY SPS MA in Applied Theatre Program, Goddard College Faculty Development Fund, Pratt Institute Department of Fine Arts Internship Program

Creative Team:

Direction by Dr. Herukhuti

Creative Direction by Odu Adamu

Production Stage Management by Grace Ancrum

Choreography and Intimacy Direction by Renee Redding-Jones

Musical Direction by Vincent "VFerg" Ferguson

Costume Design by Ty Brooks

Property Supervision and Production Assistance by Rasheeda Johnson

Technical Direction by Carlos Johns-Davila

Lighting Design by Bev Fremin

Fight Choreography by Courtney Bryan Devon

Production Assistance by Malik Smith

House Band: Folachade Abiala (Djembe), Brother Wyatt (Drums), Josh Boucicaut (Saxophone), Carlisio Keys (Keyboard), Dead Wildin (Guitar), and VFerg (Bass Guitar)

Set in the year 2169 after a global apocalypse caused by the impact of settler-colonialism, imperialism, white supremacy, capitalism, and cis-heteropatriarchy on the environment and climate, “In the Valley of Coming Forth” is an Afrofuturist, funk, ritual performance about a Black woman’s struggle to rescue her kidnapped non-binary child and destroy the system that has torn them apart.

Presenting the premier of this play, which deals with the tradition of marronage and freedom in the face of European settler-colonialism, imperialism, and white supremacy initiated by the Pilgrims—whose actions are celebrated on Thanksgiving weekend— at the site of one of the largest free Black communities in pre-Civil War America, is critically important to both CCCADI and Dr. Herukhuti.

CCCADI’s support of Dr. Herukhuti’s decolonial work has included an individual artist grant, marketing, and other production support, through which the institution seeks to model a new paradigm for cultural organizations. One that cultivates an environment for re-indigenizing and decolonizing relationships between artists/cultural workers and art and culture institutions. In this way, together, we can further advance racial and social justice for African descendants everywhere through arts and culture.

The Caribbean Cultural Center African Diaspora Institute (CCCADI) is proud to highlight this historic new initiative, a multi-year relationship with decolonial theatre artist, H. “Herukhuti” Sharif Williams, Ph.D., through its co-production of “In the Valley of Coming Forth”.

Meet the Cast

Guest DJs